2024 in Review: A Year of Growth, Creative Challenges, and New Connections
As 2024 draws to a close, I’m taking a moment to reflect on the artistic path this year has been. From new inspirations and challenges to exciting collaborations, it’s been a year of growth, experimentation, and connection. I’m thrilled to share some of the highlights from my ceramic practice, as well as a few projects that have pushed me to explore new techniques and ideas.
Chiricahua-Inspired Projects
In January, my husband and I visited Chiricahua National Monument for our anniversary. It had been a place I’d wanted to visit for nearly two decades, and it didn’t disappoint. The rock formations were absolutely stunning—towering spires and dramatic cliffs shaped by centuries of natural forces. The beauty and intricate patterns of the landscape sparked something in me.
This led to my first-ever totem sculpture. I wanted to bring the textures of the rock formations into my work, adding a modern twist. I used a tape resist technique and paired it with raku firing. The tape allowed me to mimic the natural striations in the rocks, giving the sculpture a layered texture surface that tells the story of the monument’s geological past. Raku firing, with its wild, unpredictable results, was the perfect way to infuse the piece with a raw, elemental quality. You can learn more about my tape resist technique here.
On the same trip, I collected bits of wood on a hike. This raku vessel was designed to honor nature’s raw beauty.
Collaborating with Interior Designers
One of my goals this year was to expand my reach and collaborate with interior designers. I’ve always appreciated how art can elevate and personalize a space. Working with designers has been a fulfilling way to see my pieces come to life in new environments. In 2024, I was fortunate to work with a few incredibly talented designers, each with their own distinct style and vision.
Most of the pieces were selected from my available works, but one project was especially exciting: my very first commissioned piece for a client’s office. This was a big step for me as it pushed me to meet specific design requirements while still staying true to my voice. The experience was incredibly rewarding, and I was pleased to hear how much the designer loved the final piece.
If you’re curious about how I approach working with interior designers and why I love the process, check out my blog post, Elevating Interior Design with Original Art.
First Artist Launch: Elemental Harmony
In June, I took a leap and launched my first-ever online collection—Elemental Harmony. This was a huge step for me, not just in terms of showcasing my work but also in terms of pushing myself creatively and technically. The collection was composed of 18 pieces, split into two distinct yet complementary parts. One focused on the calming, flowing energy of water, while the other highlighted the intensity of fire. The intentional black-and-white palette amplified the contrast, highlighting the interplay of the elements.
Putting together the Elemental Harmony launch was a ton of work—there were countless hours spent on planning, writing, photography, building the online store, and logistics—but it was worth every bit of effort. I learned so much throughout the process, particularly about marketing and curating an online exhibition. The results were very encouraging: not only did I sell several pieces to existing collectors, but I also gained new ones from cities like New York, Austin, Carmel and right here in Phoenix.
The Year of the Dragon Collection
After my spring launch of Elemental Harmony, I turned my focus on a new theme dedicated to 2024, the Year of the Dragon. Our trip to the Big Island of Hawaii in July inspired a deeper exploration of volcanic textures and forms, particularly the black, lava-like surfaces that reminded me of the power and energy associated with dragons. I experimented with larger forms, pushing myself to move beyond my comfort zone and develop new hand building techniques to create more substantial pieces.
The dragon, as a symbol of strength, transformation, and prosperity, felt like the perfect thematic anchor for this collection. I was intrigued by the connection between these mythical creatures and the natural world. By incorporating the textures of lava rock and working with darker clay bodies, I tried to create a sense of both raw energy and balance in the vessels. The Year of the Dragon collection is now available, and I’m proud to present six pieces from this body of work.
Please reach out if you have inquiries or request price list here.
Did you know?
Both Chiricahua National Monument in Arizona and the Big Island of Hawaii were shaped by volcanic activity, but while Chiricahua's stunning spires and hoodoos formed millions of years ago from ancient eruptions, the Big Island’s landscape is still actively changing today with ongoing volcanic eruptions—making them both incredible examples of how volcanic forces shape and reshape the earth.
Looking Ahead to 2025
As I reflect on 2024, I’m incredibly grateful for the experiences and challenges that have helped me grow as an artist and a business owner. This year has been about expanding my creative boundaries, connecting with new collaborators, and deepening my relationship with the natural world. I look forward to seeing how these experiences will shape my work in 2025.
Thank you to everyone who has supported me this year, whether through purchasing a piece, sharing my work, or simply offering encouragement. Your support means the world to me. 🙏🏽
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